Cash, check or money order is exempt from this fee. Please be advised, all credit card orders are subject to a 3% re-stocking fee. The AC30CC, for example, is an excellent reworking of the classic design and is infinitely more controllable it does a decent May too (with the right guitar and booster in the chain).We accept Cash, Visa, Mastercard, American Express, money order, and personal check (items sent after check clears). The down side is that this amp is unlikely to appeal to any but the staunchest of May fans and we'd suggest that anyone concerned by the high output should seriously consider their buying choice. This is probably the truest recreation of May's own amps you're likely to get, and it's probably the simplest professional amp we've ever encountered too. You may find that a power attenuator is the only real option in all but the biggest of venues. So, given that you really shouldn't lower the output if May's tone is your goal because you lose just too much of the harmonics and articulation, we have to say that the sheer volume - even at 15-watts - is likely to prove impractical for many. However the amplifier doesn't sound any more convincing than when on full whack and maximum boost with our Burns BM it needs that final push courtesy of two pickups together, in phase and in series, to really shine. With the guitar volume reduced and using a Mexican Standard Fender Strat, a classic sixties tone is quickly apparent too. Using other guitars, specifically a humbucker-loaded Schecter S-1 30th Anniversary, we still get close to the May tone. It's worth mentioning that what Brian calls his own 'signature tone', the crackle and buzz of dirty mains, is well and truly part of the mix too and unless you have your own personal electricity supply, you'll notice this before even playing a note. Take the boost out and lower the guitar volume and the tone cleans up whilst remaining fully fat and inspirational. With the boost kicked in and set to high gain, the classic Queen rock tone is there and if you have any Brian May whatsoever in your technique, you'll be able to mimic at least his sound with efficiency. Strapping on our Maxima-strung Burns BM signature the tone we immediately obtain is nothing short of magnificent. Thanks to the ultra-efficient design and clean output, the sound here can assault you like a blunt instrument. Because this is one loud amp, and that's putting it mildly.Įven dropping the output by 15db doesn't do much to stop everything in the room rattling. The result is that you get the exact same tonal operation whether set to 30 or 15 watts, something that you'll be thankful for. This isn't a new feature but Vox is keen to point out that as well as removing two of the four EL84 power valves, the circuit also alters the bias and the output transformer's impedance. Probably the most important feature of all is the output power control switch, which allows you to drop the overall output by half to 15 watts. Hopefully, we've saved you 10 minutes of searching (complete with the amp upside down in our case) and, if you were to have nine of these amps in a stack (the so-called wall of death), you'd be grateful for such an innovation. One thoughtful feature here is the provision of a rear-sited guitar input. What's more, the circuit has both high and low gain settings which can be chosen via a slider switch on the back panel, and there's also an output for use when linking a number of AC30s. This isn't the same as a simple overdrive pedal, but a design that adds to the basic signal - around 46dB in this case - which is a significant hike in level to say the least. Of course, a remote treble booster is a vital part of his sound too, and Vox has included an internal boost circuit that can be switched in and out via the included footswitch.
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